With impressive sharing options including Dropbox, Evernote, Google Docs and email, users can easily export their notes.If you want to branch out a bit, there are plenty of other handy tools available through the Apple App Store that can give you a productivity boost. MagicalPad – great for brainstorming ideas into flowcharts. OmmWriter for iPad – helps you relax and try to collect thoughts while you’re writing.Notability – Good for meetings because it can record notes directly with what’s being said.Consolidate your news feeds into one place with Flipboard, Pulse, Google Currents, Early Edition.
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And I guess I always celebrate those things in my music.”Īs a child, at one with the sea and sand, inventing songs for his own enjoyment, Xavier set the tone for a life where creation was its own reward, and a gift not taken lightly. I think the roots of who we are, and what our ancestral lines are and how those stories have shaped us are the most important things. I don’t care too much for the other stuff. “I value community, culture, our connection to the earth as human beings. “I value the simple things in life,” he shrugs. Countless more celebrated acts have come and gone like fireworks as his campfire steadily grows: a beacon to the kind of music fan that seeks sustenance in a fast-food world. Today, Xavier’s relentless upward arc is among the most astounding success stories of our time. Those instinctive beginnings eventually yielded the more crafted and purposeful likes of Spirit Bird, Nanna (with his nine-piece band the United Nations), Storm Boy and seven more live albums - though nobody could ever count those early bootlegs swapped by fans from Argentina to the Czech Republic, serving to double his audience on each return. I was experimenting with didges and gaffa-taping them to chairs and I always had this real love for wood and the tones of wood, so it was all very earthy.” “When I first got successful I was surprised, because I thought what I was doing was more like art,” he says. From his birthplace on the blustery southeast coast of Australia to Europe, Japan, the US, Canada and South America, you can measure it today in audiences in their tens of thousands, and in hundreds of millions of song streams, not least his timeless, windswept keynote, Follow The Sun (2012).Īcoustic guitar in hand, engulfed by his progressively more complex and elaborate scaffold of didgeridoos and percussion, Xavier Rudd cut an utterly unique and compelling figure as the world warmed to his first indie albums of the early 2000s, Live In Canada, To Let and Solace. The break accelerated a return to the solo mode of creation that first led the barefoot multi-instrumentalist on his phenomenal journey. I’ve been able to experiment with some new ideas and new sounds…” “I had a chance to reset and change a few things around, to reassess where I was at, musically and practically. “I’d planned to take a year off anyway, the first time in 20 years I hadn’t done an overseas circuit,” he says. The wide-open space he’d found himself in - the great COVID silence - was both beyond his control and curiously in-sync. It felt like a wind of change, literally, in so many ways.” “We were on a trip north to the Cape and the wind was blowing too hard to take the tinnie out to the island… As I contemplated everything in my life and what was happening in the world there was literally a strong southeaster blowing, all the time. “It hit me last year when I started to write Stoney Creek,” the Australian roots journeyman says of the album’s first, exhilarating single: a rolling acoustic balm of a song that finds refuge in the simple blessings of rest, companionship and belonging in a world gone crazy. It’s a recurring image that speaks of wide-open space and the awesome natural elements that shape it: a force far greater than us, but ours to harness if we take the time to learn, reflect and respect its ways. The wind blows strong though Xavier Rudd’s tenth album. The Glaive Lord gains orbiting glaives that deal constant damage while bloons are within range of them. Signal Flare allows the Mortar to detect camo and strip camo off damaged bloons, while Shattering Shells further improves the aspect of removing special bloon properties by stripping any non-MOAB-class bloon property and removing fortified off any bloon up to BFBs. This is because the ability cannot destroy camo bloons, even though the Technological Terror has Camo Detection. It should be noted that Super Monkeys’ Bloon Annihilation Ability, by itself, can not destroy a D.D.T. Sniper Monkey (Cripple MOABs for freeplay bloons and Supply Drop lag).Ninja Monkey (Bloonjitsu rocks earlygame, killing ceramics and camos, and Sabotage Supply Lines is a must for freeplay).Banana Farm (because temples and deep freeplay wouldn’t exist without it).The rate of fire also stacks to up to twice as fast as a regular Super Monkey. It takes 50 seconds for the ability to recharge. Its special ability can turn up to 10 nearby Dart Monkeys into Super Monkeys for 15 seconds. Super Monkey Fan Club (BTD5) is the final upgrade of Path 2 for the Dart Monkey in Bloons TD 5. How does Super Monkey Fan Club work BTD5? Despite being the most powerful tower, the Super Monkey cannot pop Lead Bloons or detect Camo Bloons without any aid from upgrades, towers, and/or Speciality Buildings. For Bloons 2 Premium Upgrade, see Super Monkey (Bloons 2 Premium Upgrade). He went through the Topgun class in 1982 and LT “Shoes” Mullen was one of his instructors. It describes the origin of the film and has many additional details about film production and the flying scenes.Īuthor Dave “Bio” Baranek was a student RIO when The Final Countdown came out in August 1980. Note: For more behind the scenes information, watch an interview with 6 pilots and RIOs who flew in the movie, which was uploaded to YouTube. It is surely most appreciated by Tomcatįans, who can’t get enough of the big jet in action. Revenue of nearly $57 million – not bad, but most of that was from overseas showings.Īdjectives to describe The Final Countdown, such as interesting, entertaining, The website “The Numbers” shows worldwide box office Intended as a summer blockbuster, it received what can best be describedĪs a lukewarm reception. Zeros and the Zeros split, we see a Zero skimming cloud tops and a Tomcatġ980. A moment later, after they have thumped the Include the scene when two alert Tomcats are cleared to arm, and accelerate Scenes of not only the F-14, but the air wing and carrier ops. The final product included some memorable This print is available in multiple sizes from – CLICK HERE TO GET YOURS. If you can get over the idea of time travel, it’s a pretty good movie. Just a few months after completing Topgun, Shoes and Tex were part of a group of pilots and RIOs who spent several weeks at NAS Key West to film the science fiction adventure movie, in which the USS Nimitz is transported back in time and encounters parts of the Japanese strike force in the days before the Pearl Harbor attack. Shoes joined Fighter Squadron 84 (VF-84, the Jolly Rogers) as a nugget in September 1977 and distinguished himself as a pilot, as indicated by being selected to attend the Topgun class in September 1978 with RIO Jim “Tex” Huston. When he was a lieutenant F-14 pilot, Al “Shoes” Mullen flew in The Final Countdown and has generously allowed the author to review his notes regarding the experience. Six years before “Top Gun” prominently featured the F-14 Tomcat, “The Final Countdown” proved that Grumman’s twin-tailed fighter had star quality. Follow Molly on Twitter and Instagram or contact her directly: molly(at)screenrant(dot)com.One of the F-14 pilots who flew in The Final Countdown shares his personal notes on the movie that introduced the Tomcat to Hollywood. Still, she enjoys every chance to put her music and musical theater knowledge to good use, particularly when it intersects with her love of superhero movies.īeyond that, Molly spends her free time reading young adult and romance novels, rooting for the New York Rangers hockey team (LGR!) and going out to brunch. Previously, she’s written entertainment news for Bustle and had personal essays published on HelloGiggles and Femsplain.Ī graduate of Ithaca College’s Journalism program, Molly originally planned to be a music journalist before moving into entertainment journalism after spending so much of her downtime binge-watching all manner of movies and TV during her formative years. She’s been writing for Screen Rant since 2014 and has appeared on the Total Geekall podcast. Molly Freeman is the lead news editor of Screen Rant and one of Screen Rant’s Rotten Tomatoes Tomatometer-approved movie critics. No matter what, it's clear Derek won't be back after the events of the Countdown mid-credits scene. It's unclear what a Countdown sequel would entail, whether Quinn would face off against the app once again. The Countdown movie reviews have been largely negative, but if the film turns out to be a box office success, perhaps a sequel will get the green light. That said, whether another movie in this universe gets made remains to be seen. That makes sense because there's sequel setup at the very end of the film, with Quinn receiving a notification about Countdown 2.0. In terms of what the mid-credits scene adds to Countdown, it doesn't work to set up the sequel and seems to be one last bit of entertainment - another jump scare - for moviegoers. It should also be noted that, despite the scene playing after the ending, it actually takes place before Quinn defeats the Countdown movie app, which explains why Derek is killed after the resolution of the film. He did the same for Quinn and Matt, but they'd already broken their user agreements. We can presume that Derek was targeted because he hacked into the app and attempted to add more time to his life, violating the agreement in the process. It's unclear how Derek was originally going to die, since users are only murdered by the demon if they break the terms and conditions agreement. The source code for Ext2 Volume Manager should be freely available and modifications are certainly permitted as well as the option to inspect the software. The license provides the options to freely download, install, run and share this program without any restrictions.
Using an active, real-time system like Tera's sounds great on paper, but if there are any latency issues at all, the whole thing would quickly crash and burn as players tried to move or perform attacks that became delayed. Fortunately, this is almost never an issue in Tera. The game will occasionally (like all online games) suffer from a "lag spike"-but in almost 300 hours of playing, they've been few and far between. Naturally, there will be some variation based on the quality of the individual player's Internet connection, but those with a decent ISP shouldn't have an issue. When I discovered lag wouldn't be a cause for concern, the next challenge was learning how to actually play effectively. After setting up a character, the game plops the player into a world filled with conflict. This is a brief introduction to the combat system-and a few minutes later players are back to level one and situated on what veterans lovingly call "Noob Island." The first time through, there's a sort of tutorial level-the newly minted character is suddenly level 20 and has some skills at their disposal. The real-time combat allows for constant movement, with standard and charged attacks at the player's disposal. The catch is that there's no lock-on targeting and the enemies move as well. This adds an element of strategy to boss battles as players must decide when to charge power moves, how much to charge them (they have levels-higher charges take more time to fully prepare), and to make sure the enemy hasn't moved during that time period. Early on, this leads to a lot of whiffing. Once players get used to the flow of combat, Tera really shines. The game is loaded with larger-than-life monsters, both in dungeons (five man affairs currently-there are no bigger "raid-style" missions available yet) and in the main world,where "BAMs" (Big Ass Monsters) can be found. However, the real plus of the combat is the way it makes killing regular monsters more than busywork. Clearing "trash mobs" on the way to a boss is usually tedious and dreary in an MMO, but Tera's combat is frenetic enough that the player always feels engaged. Whether with a mouse and keyboard or an Xbox 360 PC controller, the battle system of Tera is a treat. On the other hand, aside from the fighting engine, Tera is a fairly traditional WoW clone. Traditional farmers here today practice slash-and-burn agriculture on steep hill sides as flat alluvial terraces and gentle slopes become less available, and it is probable that prehistoric villagers did the same. 2400-1000 B.P.), large agricultural villages were established not only in narrow river valleys but also on moderate mountain slopes and high summits, likely due to a general lack of level land. Archaeological survey of the study area revealed that during the peak of population density (ca. Observations of present-day casual cultivation behaviors provided insights into how the earliest domesticated plants in the region (squashes and gourds) may have been incorporated into a primarily hunter-gatherer economy with minimal disruptions. Some curated specimens indicate that even when local populations lived in permanent habitations in villages, foraging activities drew them as far as 30 km away. Inspection of plant materials curated in several facilities in the United States and Mexico revealed a range of wild plants that are not mentioned previously in publication. Although most published sources acknowledge that wild plants comprised the majority of the local diet (especially during the early cultural phases), these sources often do not describe the species in question. This dissertation expands on earlier work through an examination of curated plant collections from MacNeish’s excavations and an archaeological survey near the Ocampo caves. However, the spectrum of land use and wild plant utilization over the prehistoric sequence remains poorly understood, as MacNeish’s Ocampo investigations focused on one aspect of a larger settlement pattern (cave occupations), and his results are incompletely published. This research remains central to discussions of early Mesoamerican agriculture. MacNeish excavated in a series of dry cave sites within the study area and discovered evidence for the local adoption of domesticated plants and the subsequent development of a mixed foraging-farming economy that persisted for millennia, before culminating in the establishment of settled farming villages. Fritz, Chairperson In this dissertation, I examine plant use, food production, and land use in the Ocampo region of southwestern Tamaulipas, northeastern Mexico. Kevin Hanselka Doctor of Philosophy in Anthropology Washington University in St. ABSTRACT OF THE DISSERTATION PREHISTORIC PLANT PROCUREMENT, FOOD PRODUCTION, AND LAND USE IN SOUTHWESTERN TAMAULIPAS, MEXICO by J. You never want the air to hit a "dead-end". Just cut a small hole/slit t allow the air to continue to the top. Here is a picture how to vent the hips where the rafters terminate on the hip rafter. Typically the AIR below the foil inside the attic will be less than 10 degrees hotter than the outside (ambient) temperature. Kinda like parking a car in the shade, it does not really help to crack the windows. Finally, one thing to remember is that once you install a radiant barrier, whatever ventilation you have is usually enough. The air will seek a way out even if it's a little below. Hot air will rise to the top of the attic and "pool". You want to leave the gap at the top even if you DON"T have ridge vents. Basically, if their is a hole in the roof, you want a corresponding hole in the foil. you will cut a hole in the foil directly below the hole. AND, if there are any other vents: wind turbines, static vents, electric fans etc. You will leave gaps at the tops and bottoms of each rafter bay. You want air to flow freely through the attic - really as though the foil is not even there. One has ridge vent and one has static (or can vents as you call them). You are actually seeing two different attics. Here is recent video we did explaining the Winter benefit: How Radiant Barrier Helps In Cold Or Mixed Climates From what we have seen the benefit from reducing heat loss is equal or greater than the heat gain from the sun in the winter. The fresh air flows up between rafters to the ridge, where a ridge. Or, air movement from cold, dense air falling through the insulation which reduces it's R-Value. A well-ventilated attic has under eave or soffit vents, which allow fresh air into the attic. Installing a radiant barrier on top of your insulation will reduce heat loss in the Winter AND reduce what is called "convective looping" in the insulation. This cold air "sucks" the heat out and although the shingles may get pretty warm, not much heat actually transfers via radiation into the insulation in the winter. Third, a ventilated roof is designed to move cold air below the roof deck to keep it cold to minimize ice damming. Second, the sun is low in the Southern sky so the actual amount of radiant heat gain is much less than in the Summer. First, the days are short, so you don't get as much sun time. Baffles prevent vents from getting clogged by insulation and ensure a clear channel for outside air to move into the attic through soffit vents. Multiply those two numbers and then divide by 150 to get. Measure the length and width of the house in feet. Baffles ensure proper airflow into your attic space. Take Your Measurements Calculate how many rafter vents you need. Baffles are installed in the attic (or should be), wherever there is an intake vent (soffit vent). Sun exposure will help some to reduce the heat loss. Baffles and rafter vents are the same things. So in the winter, heat is leaving the home. On your Mac, select an item you want to dragsuch as an image or block of text. Quickly add case logs, contracts, legal docs, marketing collateral and more against any standard or custom object via Drag and Drop. Drag and drop items on Mac You can drag and drop items to do things like move or copy files and folders, add an image to an email, or move text around in a document. Then enable the check box with required attributes. Select any format ENEX format, Single Web Page (.html), multiple webpage (.html). Just press the capture key (F1 or Option-F1) to import a Web page, mail messages, the selected items in Evernote or other apps, or any file on your Mac. Get the Cazoomi Drag & Drop for Salesforce today here! Right the notebook and select the Export button. With Outlook2Web and Cazoomi, you can now drag files directly from Outlook to any object or custom object in Salesforce. On Mac drag and drop to gmail web comp oser window does not work but a workaround is actully to click the Share button for the document, select 'Mail' which will launch Mac Mail new email popup with the document in it, then simply drag and drop form the Mac Mail popup to Gmail. Outlook2Web works with Basecamp, Dropbox, Google docs, Gmail, One Drive, Zoho, Evernote, Atlassian, and others & now with support for Salesforce. Works on OS Windows XP to Windows 10, though does not work on Mac computers.Works in browsers Internet Explorer, Chrome, Firefox and Edge.Select a bunch of attachments, drag them all from Outlook to the web application in one go.Copy any attachments in Outlook and paste it into HTML5 websites (those websites that support Copy and Paste of attachments).Also, you can drag email (.msg files) from Outlook directly into web applications. Click the Move button in the Mail toolbar (you may need to first click the More Toolbar Items button ), then choose a mailbox (or use the Touch Bar). Do one of the following: Drag the messages to a mailbox in the Mail sidebar or the Favorites bar. Press and hold the trackpad or mouse while you drag the item to a new location. Open Mail for me Move emails In the Mail app on your Mac, select one or more messages. Outlook2Web lets you drag attachments a from Outlook to any website that supports HTML5 drag and drop. On your Mac, select an item you want to dragsuch as an image or block of text. In order to drag emails or any other object from Outlook to any browser based web application, you must save the files first to your desktop before dragging them to your web application, then delete the file from your system. 5.3 The Change Input Dialog is shown to allow you to pick inputs forĮach of the input ports for a filter with multiple input ports. You are free to change those as well.įig. The active source(s) is connected byĭefault to the first input port. This dialog allows you to select the pipeline modules to beĬonnected to each of the input ports. In such a case, when you click on the filter name, the Change Input Dialog will pop up, as seen in Fig. Certain filters, such as Resample With Dataset, have multiple inputs that must be set up before the filter can beĬreated. Name in the Filters menu, it will create a new filter instance and that Hence, as soon as you click on the filter The Append Datasets filter has two input connections on its 5.2 The Pipeline Browser showing a pipeline with multiple inputĬonnections. When multiple pipeline modules are selected, only the filters thatĪccept multiple connections on their input ports will be enabled in theįig. Relevant pipeline modules in the Pipeline Browser. Modules as connections on a single input port of a filter, select all the In such a case, to pass multiple pipeline Filters like Append Datasets can take multiple inputĬonnections on that input port. When you create a filter, the active source is connected to the first input port Menu item, the status bar will show the reason why the filter is not available. On Windows and Linux machines, if you hover over the disabled Source(s) is not producing data of the expected type or the characteristics neededīy the filter. If a menu item in the Filters menu is disabled, it implies that the active If a menu item is disabled, it implies that the active sourceĭoes not produce data that can be transformed by this filter. To make it active, and then click on the corresponding menu item in theįilters menu. The data produced by a source or a reader, you select the source in the Pipeline Browser These are organized in various categories. Creating filters in paraview Īll available filters in paraview are listed under the Filters The properties available depend on the filter itself. Similar to readers, the properties on the filter allow you to control theįiltering algorithm. Whether a particular input port can accept one or many input connections. Multiple connections for each of the datasets to be appended. Each input port can optionally accept multiple inputĪn input port itself can optionally accept multiple input connections, e.g., theĪppend Datasets filter, which appends multiple datasets to create a singleĭataset only has one input port (named Input ). A filter can have one or more inputĪnd output ports. Produces the resulting data on its outputs. 5.1 A filter is a pipeline module with inputs and outputs.ĭata enters a filter through the inputs. Through which the dataset used as the mesh on which to re-sample is accepted.)įig. The other, called Source, is the input port Is the input port through which the dataset providing the attributes to Resample With Dataset filter has two input ports. Input data for a specific purpose or role within the filter. The number of input and output ports on a filter is fixed. A filter can have multiple input and output ports. They take in data on their inputs and produce transformed data or In ParaView, filters are pipeline modules or algorithms that have inputs and Pipelines to transform data using such filters. Various visualization techniques such as slicing, contouring, clipping, etc., The true power of the visualization process, however, comes from leveraging the Represented in one the existing views, then that is all you would need. If the data ingested into ParaViewĪlready has all the relevant attribute data, and it is in the form that can be directly Into ParaView ( Section 2) and how to display it in In previous chapters, we saw how to ingest data Through this pipeline, being transformed at each node until it is in a form where (collectively called pipeline modules or algorithms). Paradigm where a pipeline is set up of sources, filters, and sinks Section 1.2 formalizes this concept as a data flow Produced from experiments or simulations until it takes a form in which it can be Visualization can be characterized as a process of transforming raw data |
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